Motivation
Motivation,
it's not just for novels anymore. Actually, it never was just for
novels, it was for any work of fiction. What we often forget is that
Motivation is a part of life. We are all motivated (or not) to do
certain things. It's integral to the human psyche and can't be
ignored in our characterizations. We are all motivated to make
certain decisions, beginning with the time we wake up. What to wear?
Shower before or after breakfast? Toast or a bagel.... The small
decisions we make from minute to minute get us through the day, and
we probably don't even recognize we're making them.
Characters
must have this same clear cut Motivation. This doesn't mean that an
author has to walk them through every small decision they make, or
each action. It does mean that big decisions should have a clear
Motive behind them, whether it's a snap judgment or something
carefully thought out, a decision must be Motivated by something. A
character won't leap into a pit of vipers unless there's a good
reason for it. Nor, will he or she suddenly decide to commit an act
completely out of the blue. At least they shouldn't. That's not to
say that people don't do that from time to time, but it's rare.
Something inside made us make a decision we might not normally make
and we act.
With
a character, those moments shouldn't happen. It's one thing to take
the readers by surprise, it's quite another to make such an abrupt
180ยบ turn that readers are left breathless and twisting in the wind.
That's a very uncomfortable place for a reader to be. They don't like
it and it's often enough to make them put a book aside and quit
reading. This doesn't mean you can't have a plot twist and take
readers by surprise. It means that the Motivation must be clear. If
my character is going to jump into a pit of vipers, it's because
someone they love needs rescuing. Or the all important item they've
risked their lives to obtain, is at the bottom of that pit. Or
they're suddenly tripping on acid and the vipers are all in their
heads.
Readers
don't have to be in on the thought process. They don't have to listen
to the inner dialogue that brings this decision about, but there must
be a moment where that aspect of the character is revealed. This
doesn't just influence great danger. This is any major choice the
character makes. In a romance, this might be the moment that the
couple decide to consummate their relationship with a hot, spicy love
scene. In a mystery, the point where the victim makes the wrong turn
on their fateful path to death.
Whatever
the choice, the decision must be clearly available. This does not
mean that the author needs to do a soliloquy, a la Shakespeare,
though that technique certainly outlined the thoughts of his
characters well. It can be something simple, such as: Her mind
made up, she knew she had to rescue her lover from the bottom of the
pit. Terrified, but resolute, she put the first foot into the midst
of the vipers—and prayed.
We
didn't hear every minute of the thought process, but we have a clear
decision on the character's part. She's made her choice, now she's
acting on it. Sure, she can be conflicted, but the motivation is
clear.
Having
trouble finding the motivation for a character? Ask yourself (or
them) a series of questions to determine it. I'll list a few below,
but you can generate your own list of questions that applies to your
specific character and their situation.
Suggested
Questions:
What
do you most want?
What
do you most need?
Will
this decision get you closer to your goal?
Will
this choice take you further away from your goal?
Is
your choice selfish or unselfish?
Is
this going to get you killed, injured, put in jail?
If
yes, are the consequences worth it?
How
will this affect the future?
Will
you be a better person after this, or a worse one?
Obviously,
these are not the only questions to ask, but they will get you
started. Once you've been able to answer these questions to your
satisfaction (and the character's) you can clearly delineate the
motivation for your readers. It doesn't matter what the choice
is—good or bad, right or wrong, just make sure the motivation is
clearly expressed.
©
2016 Dellani Oakes
Dellani
Oakes is the author of 10 published novels and over 100 more which
haven't been published yet. She's a Blog Talk Radio host on the Red
River Radio Network. She's also former A.P. English teacher and
journalist.
No comments:
Post a Comment